While abstract paintings that appeal to our imagination call into play the brain’s top-down processing mechanism, figurative paintings that appeal to us call into play the default network of the brain. The default network, which was discovered in 2001 by Marcus Raichle (Raichle et al. 2001), consist primarily of the three brain regions: the medial temporal lobe, which is involved in memory: the posterior cingulate cortex, which is concerned with evaluating sensory information; and the medial prefrontal cortex, which is concerned with theory of mind - that is with distinguishing between another person’s mind, his or her aspirations and goals, and one’s own mind…recent studies suggest that the default network is most active during high aesthetic experience in art. (Edward Vesesel Nava Ravin, and Gabriella Starr) This intriguing finding suggests that since activation of the default network is related to our sense of self, its activation in response to art enables our perception of painting to interact with mental processes related to the self, possibly affecting them and even being incorporated into them. This line of thought is consistent with the idea that a person’s taste in art is linked to his or her sense of identity - Reductionism in Art and Brain Science page 184, Zettel 142