The art critic Clement Greenberg divided the abstract Expressionist Painters into two groups (1961,1962): the gestural painters de Kooning and Pollock, and the color-filed painter Rothko, Morris Louis, and Barnett Newman. However, as the art historian Robert Rosenblum points out, this distinction is less important than the artist’s common pursuit of the sublime (1961) - Reductionism in Art and Brina Science, Eric Kandel, pg 87, Zettel 116
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