Akademie-X, Christopher Williams

  • Lesson 35 - No Plexiglas, No Electricity, No Humour; or Love is Colder Than Death

  • So many young artists I meet don't seem to have understood that they're going to spend their whole lives as artists. They're in a hurry because they feel that if they're not a success right out of the gate they're going to be a lifelong failure. I encourage you to think in a much longer arc, to take it easy and do it for the long haul - not to have a preconceived idea of what success is in relation to a durational framework. Some artists are successful early on, others later. Sometimes students also have misconceptions about what success is, mistaking the social aspects associated with success for actually making a successful artwork. To have a gallery, to have a big studio and to make money isn't necessarily to make good art. Don't confuse those two things.

  • I encourage you to think more historically and consider what your contribution to art could be, not about what your art practice can bring you in terms of material things.

  • I don't like to stand behind the camera or in front of the camera; I like to stand beside the camera. I figured out pretty early on - or I came up with the idea - that the camera is actually not the only agent involved in the production of meaning. There are also chemical designers, optical designers and industrial designers. There are economic and social issues. So I try to move around the photographic programme and occupy different positions at different times. Even though I didn't' get assignments in art school, I do treat myself like a commercial photographer: I give myself assignments. I become a product photographer, or I become a photojournalist, and I pick a subject as though it were a journalistic assignment.

AKADEMIE X LESSONS IN ART + LIFE - Tim Rollins

[[akademie-X]],[[Tim Rollins]]

  • page 268 lesson 28: Art is Not Just Experience

    • We believe good art is work that doesn't ask permission to exist, to be is enough. Good art is anything made sincerely yours. This art can be affirmative, shamelessly beautiful or ugly, a contribution of dissent, audacious and critical, yet deeply celebratory by the very fact of its existence. We think good art is always a gift, an affirmation of a mysterious gratitude. It's not instrumental but feels inevitable. Art is a faith proposition built upon a base of wonder.

AKADEMIE X LESSONS IN ART + LIFE - Wangechi Mutu

[[akademie-X]], [[Wangechi Mutu]]

  • page 228, Lesson 24: Living Art

    • The sharpening of visual intelligence is crucial for artists. I would recommend drawing - and by this, I don't mean drawing in a pedantic, high-school, instructional manner; I mean using your hand and your mind to pull out information from the subconscious onto a surface and into the real world. It is one of the best ways to shorten the distance between your brain and your fingertips and to allow you to gauge what is going on from within yourself. When you speed up that process, by drawing with as basic a material as pencil or charcoal, or ink and brush, your senses of intuition, honesty and integrity are sharpened. I would also push every artist to enhance their sense of context and their role as artist by visiting museums or the theatre, going to poetry readings, hanging out at DJ slams, listening to live bands - to participate in and enter cultural spaces in one way or another. Figuring out what's happening in other genres and media in your particular moment in time is important to you as a visual artist because even if you don't feel it's relevant to you, making cross-references makes you aware of your own position and place, your aliveness at that particular moment in time.

    • Everyone should understand as much about the past as they can possibly get in their heads. As the voices of their culture and their communities, artists in particular should know as much as possible about what has happened prior to their own existence. It's a way to stand out as the voice of the present, to pay homage to what has happened, and avoid repeating and recycling the mistakes that have already been made. It's also a way to remain in touch with your own humanity, and with the humanity of others whom you don't know.

How to be an Artist, Jerry Saltz, Page 76, Zettel 150

If you think that all art should be like High Renaissance painting, or like van Gogh, Eva Hesse, or Basquiat, think again. Human beings are hardwired to crave change. The universe is expanding; so are we, and so is art. Which doesn’t mean it’s getting better, or worse, only that all art was once contemporary art, in conversation with its time. yours is, too. Every choice you make - should serve not nostalgia, but your visceral present. You are an artist of modern life. That personal, specific urgency is what finds every successful work of art. - How to be an Artist, Jerry Saltz, Page 76, Zettel 150

John Rohrbach, preface of “In the American West” Richard Avedon, Zettel 125

…Instead of the staged explorations of artifice delivered by Cindy Sherman, he delivers the results of a heartfelt improvised dance between photographer and sitter where landscape comes projected through clothing and time is revealed in every blemish and fold of skin….Together, the photographer and his subjects had succeeded in delivering piercing looks at the wear of life’s struggles. - John Rohrbach, preface of “In the American West” Richard Avedon, Zettel 125

Daniel Lewis, The New York Times, Thursday, July 2023 on MILAN KUNDERA, 1929 - 2023

Mr. Kundera told The Paris Review in 1983: “My lifetime ambition has been to unite the utmost seriousness of question with utmost lightness of form. The combination of a frivolous form and a serious subject immediately unmasks the truth about our dramas (those that occur in our beds as well as those that we play out on the great stage of History) and their awful insignificance. We experience the unbearable lightness of being. “ - Daniel Lewis, The New York Times, Thursday, July 2023 on MILAN KUNDERA, 1929 - 2023

Deepak Chopra, interview by The Diary of a CEO

If you’re not joyful you are wasting your life. The fact that I exist is a perpetual surprise for me. What’s the healthiest emotion? Not love, not compassion, not even joy. It’s All. It’s wonder. Why do we exist? Perpetually surprised, full of wonder and joy. You return to innocence. And what we lost today in this world is the loss of innocence - Deepak Chopra, interview by The Diary of a CEO

Deepak Chopra, interview by The Diary of a CEO

Best use of imagination is creativity. Creativity is a disruption in the algorithm. It’s a discontinuity. Fundamental creativity. Creativity is death and resurrection. It’s a death of context, meaning, relationship, and story. And a new meaning, relationship, and story. That’s fundamental creativity. Einstein coming up with the Theory of Relativity…or a great piece of art. Beethoven’s 5th. These are original creativity as a disruption to the algorithm. - Deepak Chopra, interview by The Diary of a CEO

Chris Frith 2007, cognitive psychologist.

What I perceive are not the crude and ambiguous cues that impinge from the outside world onto my eyes and my ears and my fingers. I perceive something much richer - a picture that combines all these crude signals with the wealth of past experience ... Our perception of the world is a fantasy that coincides with reality. - Chris Frith 2007, cognitive psychologist.