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Concert 2024-25

Yulian's Both Hands / ユリアンの両手

Kentaro Ogasawara October 23, 2024

ユリアンがニューヨークにやってきた。ユリアンナ・アヴデーエワ こんなに胸が熱く締め付けられる思いをしたのはコロナを患った時以来だ。苦しくて切なくて、胸が熱くなり、鼻水が止まらないし、涙で前も見えない。しかし、ユリアンの両手からリストが本当にあった夢のように駆け巡る。それは精巧にできたレゴのようだが、物語に富んでいてユリアンがピアノとリストを会話を楽しんでいるようでもある。ショパンは技術と繊細な心が時代を超越した作品を残し、ユリアンは今、ユリアン右とユリアン左でひとつのオーケストラのようなスケールだ。精巧で大胆。カジュアルでオーソドックス。ショパンとリストのプログラムを2面性を織り交ぜたユリアンのレンダリングは19世紀ロマン派の巨匠を今目の前に繰り広げていた。本当にすばらしいプログラム。ダンスに舟歌。そしてショパンのベートーベンのオマージュとポロネーズ。リストの雄弁なプロローグからのロ短調ソナタ。非常にはっきりと明確で存在するbの点がさまざまの方向に繰り広げられやがて元に戻る。最後はリストのヴェルディのリゴレット終幕の4重唱のアレンジ

4人の心情を描く

【公爵】
美しい愛の娘よ、
僕は君の魅力の奴隷だ、
君はたった一言で、
僕の痛みを慰めることが出来る。
ここへ来て感じて欲しい、僕の胸の
激しいときめきを。

【マッダレーナ】
ああ!心から笑っちゃう、
言うだけなら簡単なのよ、
あなたの冗談の価値を、
あたしは値踏みできるんだから。
あたしは慣れてるのよ、お兄さん、
こんな冗談には。

【ジルダ】
ああ、このように愛について
あの悪者が私に話すのを聞いたわ!
裏切られた不幸な心、
不安のために張り裂けないで。

【リゴレット】
(ジルダに)
お黙り、泣いても何にもならない・・・
奴の嘘はお前も分かっただろう。
お黙り、わしが気にするのは、
早急な復讐だ。
そう、準備されるだろう、不可避なのだ、
わしは奴に雷撃をくらわす。


束の間の人生を思った通り過ごせと言われたような気がする。

流石ユリアンは小説家のようなピアニストだが、鈴がコロコロなるようなコルラトゥーラの右に悪党マントバの雄弁で汚れた左手。ユリアンの両手から4人の心情を歌い上げる部分。

そこはまるで歌劇場だった。

まるでショパンの恋人、作家のジョルジュ・サンドがショパン後の未来を雄弁に語っているようなプログラム

Yulian came to New York. Yulianna Avdeeva, It's been since I had COVID that I've felt such a tightness in my heart. It was painful and sad, running my nose all the time, and I could not see in front of me because of the tears. But Liszt runs through Yulian's hands like a real dream. It's like an elaborate Lego but rich in stories, and Yulian enjoyed a conversation between the piano and Liszt. Chopin's technique and delicate heart left behind timeless works, and Yulian's hands are orchestra scale. Elaborate and bold. Casual and orthodox. Yulian's rendering, which interweaves the two sides of Chopin and Liszt's programs, unfolded the 19th-century Romantic master right in front of me. A truly wonderful program. Dance and Barcarolle. And Chopin's homage to Beethoven and Polonaise. The B minor sonata from Liszt's eloquent prologue. The very clear and distinct b unfolds in various directions and returns to the beginning. The encore piece was Liszt's arrangement of the quartet from the final act of Verdi's Rigoletto,

DUCA

Bella figlia dell'amore,

Schiavo son dei vezzi tuoi;

Con un detto sol tu puoi

Le mie pene consolar.

Vieni e senti del mio core

Il frequente palpitar.

MADDALENA

Ah! ah! rido ben di core,

Che tai baie costan poco

Quanto valga il vostro gioco,

Mel credete, so apprezzar.

Son avvezza, bel signore,

Ad un simile scherzar.

GILDA

Ah, così parlar d'amore

A me pur intame ho udito!

Infelice cor tradito,

Per angoscia non scoppiar.


4 different feelings form 2 hands.

It was like an opera house.


10.23.2024

Performers

Yulianna Avdeeva, Piano

Program

CHOPIN Three Mazurkas, Op. 59

CHOPIN Barcarolle in F-sharp Major, Op. 60

CHOPIN Prelude in C-sharp Minor, Op. 45

CHOPIN Scherzo No. 3 in C-sharp Minor

CHOPIN Andante spianato and Grande polonaise brillante, Op. 22

LISZT Bagatelle ohne Tonart

LISZT Unstern! Sinistre, disastro

LISZT Piano Sonata in B Minor

Encores:

CHOPIN Waltz in A-flat Major, Op. 42

LISZT Rigoletto, Concert Paraphrase for Piano

At Zankel Hall, Carnegie Hall


by classicasobi

← Candillari's Ear and Heart / カンディラーリの耳と心Inspired Inspiration : ブルックリンの閃き合い →

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