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Concert 2024-25

チェコ音楽100周年@カーネギー

Kentaro Ogasawara December 7, 2024

12.4.2024

Czech Philharmonic at Carnegie Hall

Semyon Bychkov, Chief Conductor and Music Director

Gil Shaham, Violin

DVOŘÁK Violin Concerto

G. MAHLER Symphony No. 5

Encore:

J. S. BACH Gavotte en Rondeau from Violin Partita No. 3 in E Major, BWV 1006 (Gil Shaham)

10年ごとに4で終わる年に開催される「チェコ音楽100周年記念年」の終了を祝って、ビシュコフとチェコフィルがカーネギーホールにやってきた。そして、アメリカの巨匠ギルシャハムのドボルジャークのバイオリン協奏曲を聴いた。こんなに幸せでいいのか戸惑うほどうまかったし面白かった。シャハムは公演に集まった友達とサッカーをしているようだった。ソロエピソードでは見事な演奏、トゥッティで流れがオケに移ると、中央に近寄ってパスを渡し、そしてまた受け取るとあらゆる方向に駆け抜け見事に技をきめる。はじめのカデンツの終わりにカーネギーのドームの天井まで音色が駆け上がって行って頭が真っ白に、そして、アンコールのガボットではゆったりとした音の膜が隅々まで満たされた。指揮者のビシュコフを最後に聴いたのは、北ドイツとダフネをやった時だった。今回はマーラー5番。9月に腰の手術を受けまだ痛みが続いているようだが素晴らしい指揮だった。マーラーの面白さはその文脈が変化し続けそれ自体が継続的に解体されていく。ビシュコフは心のこもった指揮ぶりは彼らから温かな音の豊かさを引き出し音楽を繋いでいく。バーンスタインはマーラーを現代生活の偉大な音楽の鏡といったが、チェコフィルの楽員たちの意識や呼吸は、マーラーの変わり続ける流れの中で訪れたことがないプラハやモラビアの今を伝えていた。この数週間に6つの異なるオーケストラを聴く機会に恵まれたが、チェコフィルを聴けたことは自分の物差しをもう一度考え直す機会を与えてくれたようだった。

ステージにはチェコの国旗も

by classicasobi

← チェコ音楽100周年@カーネギー2Met brings Strauss back / 影のない女@メット →

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